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AuntRuth
Clue #10: Where is Aunt Ruth?
Searching for Aunt Ruth is a quest that Diane has been on since before she came to Hollywood. In fact, it probably started in earnest as things in her family fell apart after the abuse she went through. Aunt Ruth is her only notion of family anymore, as the picture of Aunt Ruth with Diane as she was a child in her fantasy seems to attest (Havenhurst interior). Yet, as we will see repeatedly, the Aunt Ruth of Diane's dreams never connects with Diane's various personas, as though she is just out of reach. And this represents a tragic truth that she cannot escape, that their lives never came to overlap in Diane's adulthood - Aunt Ruth died before Diane made it to Hollywood. And without Aunt Ruth, Diane has been afraid and alone, unable to find the right path on her own. - (Alan Shaw) Why is Aunt Ruth not seeing things? In the beginning we see Diane's aunt leaving Havenhurst. Rita runs across the courtyard heading for her apartment. But when Ruth is looking back she doesn't see her. Then she's forgetting the keys, even forgetting where she left them, even when it was the only thing left in a perfectly clean apartment. Again she is not aware of Rita under the table. After the blue box is opened Aunt Ruth returns, scanning the room but doesn't see what is going on. What could all this mean?
Related Theory: Diane's dream is a replay of her sexual abuse
Betty/Diane is Aunt Ruth in her young years! It's her story.
The movie is about a young girl who came from Canada to make a career in Hollywood. She was dreaming to become a famous actress, a movie star. It's Aunt's dream
- that's why she had Rita Hayworth's poster on the wall - a movie star from the
50s. All the movies Adam is making are placed in the 50s/60s, also Ruth's and
Diane's apartment are far from being modern (the bathroom, the fridge, the oven), the
old-fashioned dance contest Diane wins... Note: there is a jitterbug dancer who seems to resemble Ruth in her
younger years. She also sports a bracelet similar to Ruth's.
To take it a step further, perhaps they are all representative of Ruth at different stages of her life: A young jitterbugger, into a stylish young actress (Betty), into a popular casting director (Linney James), to retirement (Lady at Sierra Bonita). - (blu-riven) While not quoting any particular film, Lynch uses the retro-'50s imagery to evoke media-memories of an 'innocent' America. It is the ideal pop culture iconography for his characters' dreams of purity and fulfillment, and thus equally ideal for subversion. This is definitely the case in Mulholland Drive – Betty/Diane was brought to Hollywood after winning a jitterbug contest and, from what we see of the film she wants to star in, it appears to be a '50s set romance with musical scenes. But the '50s was also the classic decade of film noir which, like Lynch, embraced such themes as paranoia and conspiracy, the constant questioning and subversion of accepted identity, the fragility of sound perceptions of reality when attacked by desire, guilt and/or curiosity as well as the fragility of fantasy and its attendant hopes. Trivia Another interesting remark is that the actress playing Aunt Ruth, Maya Bond, is referenced for nothing else than Mulholland Dr. on IMDb. I think that Lynch has chosen a completely unknown actress to play Ruth's part just to match with the fact that it was a lie that Diane's aunt was 'in the movies'. Coco's and Ruth's social conditions are switched in Diane's dream. - (gandalf36) MAYA: The power that veils and obscures the true nature of the Self and creates a sense of differentiation. It makes the universal Consciousness, which is One, appear as duality and multiplicity. BOND: 1. Something, such as a fetter, cord, or band, that binds, ties, or fastens things together. 2. Confinement in prison;
captivity.
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